Key visual of the exhibition «Born into poverty. Child labourers». Image (detail): Fetching fresh water from a spring, Unteriberg Schwyz, 1947 © Theo Frey / Fotostiftung Schweiz | © Theo Frey / Fotostiftung Schweiz

Born into poverty

Child labourers

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Exhibition

Even in the pre-industrial era, children made a vital contribution to the family economy, whether in the home, on the land or in cottage industries. With the advent of industrialisation, children – particularly those from poor families – were exploited in textile factories as cheap labour. They worked long hours, performed dangerous or hazardous tasks, and were often unable to attend school. From the 1830s, the cantons gradually introduced compulsory education. In 1877, the Federal Factory Act banned children under 14 from working. Nevertheless, children were still kept busy, whether in the home or in agriculture. The exhibition looks at how children in forced foster care and institutions were forcibly taken from their families and made to work. It also highlights those who campaigned for children’s education and protection and considers the topic from a modern-day perspective.

Image (detail): Fetching fresh water from a spring, Unteriberg Schwyz, 1947 © Theo Frey / Fotostiftung Schweiz

Guided tours

Key visual of the exhibition «Born into poverty. Child labourers». Image (detail): Fetching fresh water from a spring, Unteriberg Schwyz, 1947 © Theo Frey / Fotostiftung Schweiz | © Theo Frey / Fotostiftung Schweiz

Born into poverty

Guided tour for private groups

Guided tour of the exhibition "Born into poverty Child labourers".

Tour: 1 hour

Guided tours can be arranged outside opening hours: Mon between 9.30 am and 6 pm, Tue to Fri between 9.30 am and 7.45 pm. Sat and Sun between 10 am and 5 pm

Registration:  

 2 weeks in advance

Duration:

 

60 minutes; special packages can be offered on request

Group size:

 

max. 25 participants per tour

Languages:

 

English, German, Italian, French. Other offers upon request.

Cost:


 

 

CHF 180 for the guided tour + CHF 10 admission per person

Children up to 16 years free.

For groups of persons with permit N, S, F, the guided tour and admission are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Schools

Key visual of the exhibition «Born into poverty. Child labourers». Image (detail): Fetching fresh water from a spring, Unteriberg Schwyz, 1947 © Theo Frey / Fotostiftung Schweiz | © Theo Frey / Fotostiftung Schweiz

Born into poverty – Introductory tour

Intermediate level | Secondary level I and II

Guided tour of the exhibition "Born into poverty Child labourers".

1 hour
Guided tours are free of charge for school classes from Switzerland.

Guided tours in English can be arranged, even outside opening hours. Guided tours are free of charge for school classes from Switzerland.

Booking:  

at least 2 weeks in advance

Duration:

 

1 hour guided tours, other services by prior arrangement

Group size:

 

max. 25 people

Cost:
 

 

Guided tours for school classes from Switzerland are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Blog articles

Media

Born into poverty. Child labourers

National Museum Zurich | 19.12.2025 - 20.4.2026
published on 17.12.2025

The new exhibition at the National Museum Zurich presents the history of child labour in Switzerland, from children having to make a vital contribution to the family finances, to being exploited in factories. It also takes a look at the worldwide debate on the topic in the present day.

Child labour was an integral part of everyday life even before the industrial era. As parents didn’t earn enough to support the whole family, children had to make a contribution, whether at home, on the land, or in cottage industries. While this represented a way of being involved, their exploitation only increased from the Industrial Revolution onwards, when children as young as six worked in dangerous conditions, often up to 16 hours a day, spinning and weaving in stuffy textile factories, in the silk industry, or in fabric printing plants in the canton of Glarus. It wasn’t until 1877 that the Federal Factory Act banned children under 14 from working and limited working time to 11 hours a day.

The exhibition at the National Museum Zurich sheds light on this chapter in Switzerland’s social history. It shows how children had to work on farms, in the household and in institutions, and how society’s perception of child labour has evolved. The exhibition also recognizes those who campaigned for the education and protection of children. The introduction of compulsory schooling in 1874 was a milestone towards a new notion of childhood – moving away from economic need and towards education and development. And yet it was a long process: until well into the 20th century, children from poor families had to work in strangers’ households – as chimney sweeps in Italy or as maids, labourers or farm hands in Southern Germany. Or they were forced into foster care by the authorities. 

The exhibition ends with a look at the present. Across the world, millions of children still have to work – in mines, on cocoa plantations and in textile factories. Forms of child labour even exist in Switzerland, when young people from poor families have to contribute to the household budget or give up their entire apprentice wage. The statue of Justitia with a Superman cloak evokes the UN Convention on the Rights of the Child, signed by Switzerland in 1997, which grants every child the right to protection, education and participation in decisions that affect them. The exhibition invites visitors to reflect on poverty, responsibility and on the value of childhood – both in the past and the present.

Images

Milking and Herding

Alpine farming also helped small-scale farmers to survive. Milking was done by hand. The dairyman was assisted by a shepherd boy. High up in the mountains and after a hard day of work, these children were at the mercy of the dairyman’s whims. Dairyman and boy, 1890 - 1930, Ticino alp, photo by Rudolf Zinggeler-Danioth, Kilchberg, Swiss National Museum

Producing and Selling

Around 1900 in the Bernese Oberland, lace-making and selling went hand in hand. Girls produced their ware by the roadside in the Lauterbrunnen Valley and sold their lace in stalls directly to tourists who, in those days, still used horse-drawn carriages for travelling. Swiss National Museum

Children’s Tools

Kids and youngsters who habitually helped their parents in farming used smaller work tools fitted to their size and made specially for them, which underlines the responsibility they bore already at a young age. Back frame from Anzonico in the Leventina, 1900 – 1980, hazel wicker / spruce

© Swiss National Museum

Straw plaiting in a farmhouse living room

In rural areas such as the Freiamt, the Sense district, the Onsernone Valley, the Valais, or the Zurich Lowlands, straw plaiting emerged as an industry from the 16th century onward. Children would take on simple jobs, often all day long, even until late at night. Straw braider family in the Aargau FreiamtCa. 1840, unknown painter. Swiss National Museum

Embroidery as cottage industry

By the end of the 18th century, tens of thousands of men, women, and children worked in the textile industry – 95 per cent of them from home. Children helped parents by winding on, threading up, winding off, and cleaning silk. Besides school, they often worked up to six hours a day and until late at night. Adult at the hand embroidery machine, boy at the threading machine, around 1912, probably Appenzell. Swiss National Museum

Children in the factory

Industrialization ushered in the exploitation of children as factory workers. They were given simple jobs that were not particularly physically demanding, but occasionally dangerous and poorly paid. The Federal Factory Act was narrowly passed in 1877. A new provision prohibited children under the age of 14 from working. The normal working day was limited to eleven hours. Group photo of staff at a furniture factory in Glarus, 1903, unknown photographer. Swiss National Museum

Working Far from Home

Until 1981, local authorities removed tens of thousands of children from their families without legal proceedings. Authorities sent the children to work on farms as cheap labourers, or placed them in the care of children’s homes, closed institutions or borstals. They were often forced to perform hard labour. Sexual exploitation was common, and many of them suffer from the effects of the physical and psychological violence they experienced to this day. Fetching fresh water from a spring, 1947, Unteriberg, photo by Theo Frey, Schwyz.

© Theo Frey Archiv / Fotostiftung Schweiz, Winterthur

Keep Fighting

After their parents divorced, Christian Tschannen (b. 1971) and his brother were hired out to a farm where they had to do physically demanding work and live in a tiny, cold room. The boys were beaten and abused. In his art, Tschannen seeks to come to terms with what he experienced. Cantonal disability insurance, Solothurn crime scene images, 2019–22, Christian Tschannen, Solothurn, acrylic marker on sticking plaster.

© Christian Tschannen

Underway on Foot

From 1801 to 1914, poverty drove boys and girls from their homes in the Grisons and eastern Switzerland to Upper Swabia every year. There the children worked for board and lodging – and a very modest wage – on farms between April and October. The boys tended cattle, while the girls helped with household chores and looked after their hosts’ young children. and go barefoot until autumn. Children’s ankle boots with hook and eye closure, 1900 – 1925, cowhide

© Swiss National Museum

National Museum Zurich press contact

+41 44 218 65 64 medien@nationalmuseum.ch

Exhibition imprint

  • Overall management Denise Tonella
  • Project direction Erika Hebeisen, Rebecca Sanders
  • Curators and Concept Erika Hebeisen, Rebecca Sanders, Pia Schubiger
  • Scenography Ralph Nicotera
  • Exhibition graphic Clavadetscher Gestaltung für Kultur und Wirtschaft
  • Project coordination Teresa Ranft 
  • Advisory committee Roman Aebersold, Günhan Akarçay, Heidi Amrein, Beat Högger, Sabrina Médioni, Denise Tonella
  • Project controlling Sabrina Médioni
  • Services and museum education Lisa Engi, Vera Humbel, Anna Thalmann
  • Technical management Ira Allemann, Mike Zaugg
  • Exhibition construction Ira Allemann, Marc Hägeli, Philippe Leuthardt, Julia Rusterholz, Dave Schwitter
  • Conservation management Tino Zagermann
  • Conservation and mounting of objects Nikki Calonder, Natalie Ellwanger, Anna Jurt, Sarah Longrée, Jürg Mathys, Ulrike Rothenhäusler
  • Object logistics and assembly Christian Affentranger, David Blazquez, Simon d’Hollosy, Reto Hegetschweiler, Aymeric Nager
  • Loans Cristina Kaufmann, Laura Mosimann, Claudio Stefanutto
  • Photography Jörg Brandt, Felix Jungo
  • Picture library Ronja Eggenschwiler, Andrea Kunz, Fabian Müller
  • IT Web Thomas Bucher
  • Media stations Alex Baur, Thomas Bucher, Ueli Heiniger, Pasquale Pollastro, Danilo Rüttimann, Daniel Werder
  • Marketing and Communication Anna-Britta Maag Sebastiano Mereu Carole Neuenschwander Alexander Rechsteiner
  • Advertising graphic Resort GmbH für Visuelle Kommunikation
  • Translations Marie-Claude Buch-Chalayer, Laurence Neuffer, Giovanna Planzi, Nigel Stephenson, Coline Thomas

Items generously loaned by

  • Archivio di Stato Bellinzona
  • Bezirk Gersau
  • Hannes Binder
  • Nadine Felix
  • Historisches Museum Thurgau
  • Medizinsammlung Inselspital Bern
  • Museum Fram, Einsiedeln
  • Museo di Val Verzasca, Sonogno
  • Rätisches Museum, Chur
  • Saurer Museum Arbon
  • Schweizer Strohmuseum, Wohlen
  • Schweizerisches Bundesarchiv, Bern
  • Schweizerisches Institut für Kinder- und Jugendmedien SIKJM, Zürich
  • Staatsarchiv Zug
  • Stiftung Kinderdorf Pestalozzi, Trogen
  • Sust Museum Horgen
  • Nik Winkelmann