Key visual of the exhibition Christmas & Cribs

Christmas & Cribs

Exhibition | accessibility.time_to

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Exhibition

According to the Christmas Bible story, Mary laid her newborn son in a manger as there was no room at the inn. Nativity scenes pick up on this, representing it in countless different ways. The traditional exhibition of cribs this year focuses on the buildings surrounding the holy family: grottos and caves, ruins, different types of stables and barns, houses, churches and even a winter forest. Cribs from Switzerland and from all over the world impressively showcase the myriad ways that artists and crib builders have imagined and represented Christ’s place of birth. As always, the exhibition will be accompanied by a varied supporting programme for the whole family.

Guided tours

Key visual of the exhibition Christmas & Cribs

Christmas & Cribs

Guided tour for private groups through the exhibition "Christmas & Cribs".

Tour: 1 hour

Guided tours can be arranged outside opening hours: Mon between 9.30 am and 6 pm, Tue to Fri between 9.30 am and 7.45 pm. Sat and Sun between 10 am and 5 pm

Registration:  

 2 weeks in advance

Duration:

 

60 minutes; special packages can be offered on request

Group size:

 

max. 25 participants per tour

Languages:

 

English, German, Italian, French. Other offers upon request.

Cost:


 

 

CHF 180 for the guided tour + CHF 10 admission per person

Children up to 16 years free.

For groups of persons with permit N, S, F, the guided tour and admission are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Schools

Key visual of the exhibition Christmas & Cribs

Christmas & Cribs – Introductory tour

Kindergarten | Elementary school | Intermediate level | secondary levels I and II

Guided tour of the exhibition «Christmas & Cribs».

1 hour
Guided tours are free of charge for school classes from Switzerland.

Guided tours in English can be arranged, even outside opening hours. Guided tours are free of charge for school classes from Switzerland.

Booking:  

at least 2 weeks in advance

Duration:

 

1 hour guided tours, other services by prior arrangement

Group size:

 

max. 25 people

Cost:
 

 

Guided tours for school classes from Switzerland are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Blog articles

Christmas & Cribs

National Museum Zurich | 14.11.2025 - 4.1.2026
published on 14.11.2025

This year’s traditional exhibition of cribs focuses on the setting surrounding the Holy Family. The crib scenes show the baby Jesus in grottos and caves, ruins, stables, houses and even a cathedral. 

A nativity scene has the Holy Family at its centre. Who and what surrounds them has strong symbolic significance – as does the accommodation found for the baby Jesus. The Bible does not associate the birth of Jesus with a specific place, it merely refers to Mary laying the newborn Jesus down in a manger, “because there was no room for them in the inn”. This scope for interpretation has inspired artists and crib builders to create all kinds of different settings for the Christmas story over the centuries.

The crib exhibition focuses on the diversity of settings and buildings surrounding the Holy Family: grottos and caves, ruins, different types of stables, houses, churches and even a winter forest. Each crib tells its own story of cultural influences and craft traditions of the time as well as the birth of Jesus. Works from Europe, South America, Africa and Asia show us how the Christian faith was brought to life using local materials, symbols and artistic forms of expression. A crib from Peru dating from between 1960 and 1980 is a particularly salient example, showing the birth of Jesus in a stone cave. A spiritual healer can be seen on the cave roof invoking the spirits. In other words, the indigenous and Christian faiths exist side by side and are not mutually exclusive.

The traditional crib exhibition at the National Museum Zurich presents 18 cribs from all over the world and offers a varied accompanying programme for the whole family.

Images

At the City Gates

This Nativity scene takes place in an underground church located within a townscape amid alpine scenery; the whole is installed inside a display case. Nativity scenes like this are typical of the region around Králíky in the present-day Czech Republic. Czech Republic, 1873, wood, cardboard, paper, painted. Spielzeug Welten Museum Basel

© Swiss National Museum

Rock Shelter

Twigs draped with painted fabric replicate a simple rock shelter here. This Nativity scene is not primarily artistic in intent; instead it seeks to give form to the vision of Christ’s birth. Here he comes into the world in the safety of a rock shelter. Nuns of Heiligkreuz Convent, around 1930, wood, papier-mâché, painted, plaster figures. Heiligkreuz Convent, Cham

© Swiss National Museum

Agate Miniature

The golden aura of Mary, Joseph and the Christ Child glows in the natural surroundings of a sparkling cave as the shining star of Bethlehem passes overhead. Agate is a semi-precious stone that is believed to have healing and protective properties. Anonymous maker, date unknown, possibly 20th c., agate, metal. Spielzeug Welten Museum Basel

© Swiss National Museum

Senegalese Stable

The setting for this Nativity is a basic shelter with a thatched roof. In keeping with their country of origin, Senegal, the Holy Family are black and wear traditional clothing. Training centre for young people, Senegal, undated, clay, painted, glazed. Heiligkreuz Convent, Cham

© Swiss National Museum

Oriental Ruins

There are five sections to this large folding Nativity scene. The semi-derelict stone architecture is overrun with flowering creepers and palm trees. The main motif is the Holy Family surrounded by the Three Wise Men, shepherds, and angels. Anonymous maker, around 1900, cardboard, paper, printed, embossed, punched. Weihnachtssammlung Doris Albrecht-Mäder, Männedorf

© Swiss National Museum

Snow-covered Brick House

Light from inside the house shines upon this Nativity scene. The half-timbered, red-brick house offers the Holy Family a place of shelter. The building, stable and fir trees create an atmospheric ensemble. Probably Germany, around 1920, cardboard, paper, printed, embossed, punched. Spielzeug Welten Museum Basel

© Swiss National Museum

Vertical World

Inspired by church candle frames and models depicting miners’ parades, so-called Christmas pyramids evolved during the 19th century in the Ore Mountains of Saxony (Germany). Scenes from the life of Christ and events involving the local population are arranged on several rotating tiers. Anonymous maker, Ore Mountains (former GDR), around 1950, wood, painted. KrippenWelt Stein am Rhein

© Swiss National Museum

Church in a Winter Forest

This paper Nativity scene gives the impression of a chance encounter with the Holy Family in the depths of a snowy forest. Visually, the scene is dominated by the trees in the foreground that form the space for Christ’s birth in front of a Gothic church. Anonymous maker, 1910–1920, cardboard, paper, printed, embossed, punched, gelatine sheet. Spielzeug Welten Museum Basel

© Swiss National Museum

Peruvian Cave

Here a cavern serves as Christ’s birthplace. At the same spot, a spirit healer has sought out the spirits on a high mountain summit only to discover Jesus in the bowels of the Andes. The message here is that indigenous religion and Christianity are close to one another and are not mutually exclusive. Peruvian folk art from the High Andes, 1960–1980, clay, painted. KrippenWelt Stein am Rhein

© Swiss National Museum

A view of the exhibition

© Swiss National Museum

A view of the exhibition

© Swiss National Museum

A view of the exhibition

© Swiss National Museum

National Museum Zurich press contact

+41 44 218 65 64 medien@nationalmuseum.ch

Exhibition imprint

  • Overall management Denise Tonella
  • Direction and Concept Christina Sonderegger
  • Scenography and Exhibition graphic Alex Harb
  • Advisory committee Roman Aebersold, Günhan Akarçay, Heidi Amrein, Beat Högger, Sabrina Médioni, Denise Tonella
  • Project controlling Sabrina Médioni
  • Cultural services and museum education Lisa Engi, Vera Humbel
  • Technical management Ira Allemann, Mike Zaugg
  • Exhibition construction Ira Allemann, Raúl Baumann, Ladina Fait, Philippe Leuthardt, Dave Schwitter, Marc Hägeli
  • Conservation management Gaby Petrak
  • Conservation and mounting of objects Gaby Petrak, Véronique Mathieu, Ulrike Rothenhäusler
  • Object logistics and assembly Christian Affentranger, David Blazquez, Simon d’Hollosy, Reto Hegetschweiler, Aymeric Nager
  • Loans Laura Mosimann, Claudio Stefanutto, Cristina Kaufmann
  • Photography Jörg Brandt, Felix Jungo
  • IT | Web Alex Baur, Thomas Bucher, Danilo Rüttimann
  • Video installation Georg Lendorff, Zürich
  • Marketing and Communication Anna-Britta Maag, Sebastiano Mereu, Carole Neuenschwander, Alexander Rechsteiner
  • Advertising graphic Roli Hofer
  • Translations Aude Virey-Wallon, Massimo Piras, Nigel Stephenson, Coline Thomas

Items generously loaned by

  • Alfred Dünnenberger-Hager, Baar
  • Kloster Heiligkreuz, Cham
  • KrippenWelt Stein am Rhein
  • Spielzeug Welten Museum Basel
  • Weihnachtssammlung Doris Albrecht-Mäder, Männedorf