Key visual of the exhibition «Wars and us». Photo (detail): Christian Schwager, infantry bunker on the Raten Pass / © 2026, ProLitteris, Zurich | © Christian Schwager / © 2026, ProLitteris, Zurich

Wars and us

Exhibition | accessibility.time_to

accessibility.sr-only.body-term

Exhibition

Warfare, past and present, has been a defining element of Switzerland’s history. The exhibition brings together a variety of perspectives, showing how ‒ from the late Middle Ages to the present day ‒ wars have influenced the nation’s political structures, economic interests and social order.

From the identity-building myths surrounding the Battle of Murten, to internal conflicts like the Peasant War of 1653 and the Sonderbund War of 1847, right through to the latent threat posed by the Second World War: warfare in all its forms has shaped the way Switzerland sees itself. Whether fought on the territory of modern-day Switzerland or elsewhere, wars can be seen to have given rise to new power relationships and social tensions – leading, for example, to the accumulation of capital through the trade in arms and mercenaries, heightened class conflict and changing gender roles.

Switzerland’s image of itself as a neutral state that promotes peace continues to play a key role to this day, especially in the foreign policy arena. In the dynamic space between threat and diplomacy, Switzerland has been able to carve out a certain amount of leeway, using its neutrality to safeguard security and foster peace. The objects and stories presented in the exhibition encourage visitors to question popular views of Switzerland’s relationship with war and to engage with a topic that often seems distant, but which is etched deeply in the collective memory.

Guided tours

Sa 2.5.2026

13:30 – 14:30 Uhr

Guided tour

Wars and us

Mo 25.5.2026

11:30 – 12:30 Uhr

Guided tour

Wars and us

Sa 4.7.2026

13:30 – 14:30 Uhr

Guided tour

Wars and us

Th 16.7.2026

18:00 – 19:00 Uhr

Guided tour

Wars and us

Sa 8.8.2026

13:30 – 14:30 Uhr

Guided tour

Wars and us

Key visual of the exhibition «Wars and us». Photo (detail): Christian Schwager, infantry bunker on the Raten Pass / © 2026, ProLitteris, Zurich | © Christian Schwager / © 2026, ProLitteris, Zurich

Wars and us

Guided tour for private groups

Wars have acted on Switzerland for centuries. In what way did they have impact on the creation of the modern federal state? How does Switzerland benefit economically from wars? The guided tour shows how the Swiss and their army responded to wars over time, and what options Switzerland has with regard international peace policy.

Tour: 1 hour

Guided tours can be arranged outside opening hours: Mon between 9.30 am and 6 pm, Tue to Fri between 9.30 am and 7.45 pm. Sat and Sun between 10 am and 5 pm

Registration:  

 2 weeks in advance

Duration:

 

60 minutes; special packages can be offered on request

Group size:

 

max. 25 participants per tour

Languages:

 

English, German, Italian, French. Other offers upon request.

Cost:


 

 

CHF 180 for the guided tour + CHF 10 admission per person

Children up to 16 years free.

For groups of persons with permit N, S, F, the guided tour and admission are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Schools

Key visual of the exhibition «Wars and us». Photo (detail): Christian Schwager, infantry bunker on the Raten Pass / © 2026, ProLitteris, Zurich | © Christian Schwager / © 2026, ProLitteris, Zurich

Wars and us – Introductory tour

Secondary levels I and II

Wars have acted on Switzerland for centuries. In what way did they have impact on the creation of the modern federal state? How does Switzerland benefit economically from wars? The guided tour shows how the Swiss and their army responded to wars over time, and what options Switzerland has with regard international peace policy.

Guided tour: 1 hour

Guided tours are free of charge for school classes from Switzerland.

Please be aware that some of the content in this exhibition may be disturbing to pupils.

Guided tours in English can be arranged, even outside opening hours. Guided tours are free of charge for school classes from Switzerland.

Booking:  

at least 2 weeks in advance

Duration:

 

1 hour guided tours, other services by prior arrangement

Group size:

 

max. 25 people

Cost:
 

 

Guided tours for school classes from Switzerland are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00

Wars and us – Understanding Conflicts, Building Peace

Intermediate level (from 5th grade) | secondary level I

Children and teenagers encounter war in the media, some even in their personal lives. What impact do war reports have, and what options do we have for dealing with them? What does Switzerland do to promote international peace? On the tour, students explore the process of peace building and, by doing so, discover how this is linked to conflict resolution strategies in everyday life.

Guided tour: 1 hour
Guided tours are free of charge for school classes from Switzerland.

Please be aware that some of the content in this exhibition may be disturbing to pupils.

Guided tours in English can be arranged, even outside opening hours. Guided tours are free of charge for school classes from Switzerland.

Booking:  

at least 2 weeks in advance

Duration:

 

1 hour guided tours, other services by prior arrangement

Group size:

 

max. 25 people

Cost:
 

 

Guided tours for school classes from Switzerland are free of charge.

accessibility.sr-only.person_card_info Reservations desk

+41 44 218 66 00
 

Blog articles

Other exhibitions on the topic

 

Media

Wars and us

National Museum Zurich | 17.4.2026 - 17.1.2027
published on 15.4.2026

Wars often seem like distant events, but they also shape Switzerland’s past and present. Through impressive objects and stories, the exhibition “Wars and us” at the National Museum Zurich shows how conflicts have influenced Switzerland’s self-image, politics and daily life for centuries.

Wars shape the present. Every day, the news and social media confront us with pictures from Ukraine, the Middle East and other parts of the world. They clearly show that armed conflicts are not merely distant events, but that they influence political debates, social values and personal perceptions across the globe. Even in neutral Switzerland, wars are part of both history and the current reality. 

In five sections, the exhibition sheds light on the way in which wars have shaped politics, the economy and society in Switzerland since the late Middle Ages. It shows how conflicts spark identity-building processes, shift economic dependencies and exacerbate social tensions. Beyond their military aspect, it is their far-reaching impact on everyday life, culture and political decisions that is highlighted. 

The exhibition focuses on the question of how war has shaped Switzerland’s self-image. Over the centuries, myths around the Rütli oath, William Tell and Arnold von Winkelried have become symbolic narratives about freedom and unity. At the same time, economic entanglements emerged through mercenary services and later the arms industry. Conflicts have also led to social change: they have sparked economic crises and protest movements, influenced migration and shifted gender roles. Meanwhile, Switzerland has developed political scope for action, for example through neutrality, humanitarian activities and peace policy. 

Many historical objects highlight these connections. A tapestry depicting the Battle of Pavia (1525) – an extremely valuable loan from Naples, which is being exhibited for the first time in Switzerland – depicts the rout of Swiss troops and challenges the myth of their military invincibility. Three different representations of the Battle of Murten (1476) – a historical painting, a school poster and a contemporary photograph – show how memory and a nation’s self-image can change over time. 

Exhibits also highlight economic and social aspects: troop registers, coins and discharge certificates evoke the business of mercenary service, while photographs and manuals from the Werkzeugmaschinenfabrik Oerlikon and the Waffenfabrik Solothurn document the role of the Swiss arms industry in the 20th century. Other objects – such as a machine gun and a trade union flag dating from the national strike of 1918, uniforms from active duty and the Women’s Auxiliary Service, and maps and photographs of military facilities in the Alps – illustrate how closely war, society and politics are interlinked. 

The exhibition closes with a contemporary perspective: in a video installation entitled “Repeat after Me”, Ukrainian refugees emulate the sounds of gunshots, artillery and sirens. Visitors are invited to repeat these sounds – a haunting reminder that war is not only history, but continues to shape experiences and touch people. 

The interactive “Neutrality Compass” accompanies the exhibition and invites visitors to reflect on their own views about the significance of neutrality. In each section, they answer questions and at the end they receive an analysis of their answers and further information on Swiss neutrality. 

The supporting programme will add additional perspectives to the exhibition. An event is being organized in partnership with the Kunsthaus Zürich shedding light on the shift in Switzerland’s remembrance culture. And the topic of violence will be examined in detail in collaboration with the research project on the aestheticization of war violence at Bern University of the Arts. Contemporary witnesses also share their experiences of forced migration, peacekeeping and war photography.

Images

Criticizing the Mercenary Business

Allegorically, the painting denounces the greed common to the mercenary service and highlights the political dependencies of the Swiss Confederacy. Anonymous, around 1625. Swiss National Museum

Waiting and Helping

In 1914, thousands of Italian workers crossed Switzerland to return to their country. The Red Cross and the Swiss army looked after those waiting. August Gansser, Refugees from Alsace, Basel, 1914. Swiss National Museum

Soldier on Active Duty

The items used by gunner Willy Keller from Teufen included uniform elements, mess kit, regulations, and personal effects. Kit used by gunner Willy Keller, standard army issue 1914–1949

© Swiss National Museum

Gymnastics Festival

Until the 1960s, the gymnastics movement remained strongly influenced by military and patriotic ideals. Gymnastics was seen as a modern expression of Swiss martial virtues. National gymnastics festival, 1959

© Swiss National Museum / ASL

Civil Defence and Gas Warfare

The Swiss army did not issue gas masks to frontier garrisons until 1917. It began producing gas masks for civilian use in 1937. Gas mask for air-raid protection and civilian use, 1939–1945

© Swiss National Museum

Swiss dagger

As early as the 16th century, the story of William Tell also decorates the sheaths of Swiss daggers. Swiss dagger with sheath, knife and spike, around 1570

© Swiss National Museum

Antisemitic policies

In October 1938, Germany introduced the so-called “Jewish stamp” under diplomatic pressure from Switzerland. Passport issued to Agathe Süss, with “J” stamped on it, 1938

© Jüdisches Museum Schweiz

Camouflage draft

Camouflaging military installations was one of the duties of the artist Hans Erni in World War II. Hans Erni, draft MM5 camouflage, Rynächt incl. ramp, 1940

© Schweizerisches Bundesarchiv, E27#1000/721#19108*

Europe and neutrality

In 1815, the Congress of Vienna recognized Switzerland’s “perpetual neutrality”. Swiss Neutrality thus became an element of the European balance of power. Recognition and guarantee of Switzerland’s perpetual neutrality and the inviolability of its territory by the Allied Powers, 8 / 20 November 1815

© Schweizerisches Bundesarchiv, K0#1000-1402#72

The three Tells

The “three Tells” carried out an assassination attempt on a delegation of the Lucerne council during the Peasants' War of 1653. Two died fighting, the third was executed. Martin Disteli, Unternährer and Hinterueli, the Last Free Inhabitants of Entlebuch, 1840. Grafiksammlung der Zentralbibliothek Solothurn, a 295

Battle of Pavia

This tapestry shows the defeat of the Swiss Confederates at the Battle of Pavia. It contrasts with the myth that later emerged of the glorious mercenaries. Jan and Willem Dermoyen, after a drawing by Bernard van Orley, The Breakout of the Besieged Imperial Troops and the Rout of the Swiss Soldiers, 1528–1531, wool and silk with gold and silver threads, embroidery

© Museo e Real Bosco di Capodimonte, Napoli

Back home

Johann Baptist Kirner depicts a Swiss Guard, back home again, describing the July Revolution in Paris in 1830. Johann Baptist Kirner, 1831. Staatliche Kunsthalle Karlsruhe

Artist on duty

On active duty in Uri during World War II, the artist Hans Erni painted a fresco titled Muni mag 5 in a soldier’s mess. Hans Erni, Muni mag 5, around 1944, fresco

© Hans-Erni-Stiftung Luzern

Unyielding Helvetia

Helvetia is holding the federal treaty of 7 August 1815 in her hands while leaning on a cannon. The Bernese traditional dress and the alpine scenery embed the figure within the national visual language. Edouard Castres, Switzerland in Arms, 1895

© Bernisches Historisches Museum, Bern. Foto Stefan Rebsamen

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

National Museum Zurich press contact

+41 44 218 65 64 medien@nationalmuseum.ch

Exhibition imprint

  • Overall management Denise Tonella
  • Project direction Thomas Bochet, Jose Cáceres Mardones
  • Curators and concept Thomas Bochet, Jose Cáceres Mardones, Marilyn Umurungi
  • Curatorial support Heidi Amrein, Pascale Meyer
  • Scenography Groenlandbasel Architektur und Ausstellungen: Leonie Meyer, Matthias Schnegg, Bernhard Schweizer
  • Exhibition graphic Groenlandbasel Visuelle Gestaltung: Sinja Steinhauser, Dorothea Weishaupt
  • Project coordination Teresa Ranft
  • Scientific collaboration Maël Roumois
  • Scientific consulting Christof Dejung, André Holenstein, Nadir Weber, Thomas Zaugg
  • Advisory committee Roman Aebersold, Günhan Akarçay, Heidi Amrein, Beat Högger, Sabrina Médioni, Denise Tonella
  • Project controlling Sabrina Médioni
  • Cultural services and museum education Lisa Engi, Vera Humbel, Jörg Ramel
  • Technical management Ladina Fait, Mike Zaugg
  • Exhibition construction Ira Allemann, Raúl Baumann, Marc Hägeli, Philippe Leuthardt, Dave Schwitter
  • Conservation management Sarah Longrée, Alexandra Schorpp
  • Conservation and mounting of objects Nikkibarla Calonder, Natalie Ellwanger, Anna Jurt, Dana Freyberg, Sarah Longrée, Jürg Mathys, Gaby Petrak, Tino Zagermann, Christian Alder
  • Object logistics and assembly Christian Affentranger, Simon D'Hollosy, Reto Hegetschweiler, Nicolas Müller
  • Loans Cristina Kaufmann, Laura Mosimann, Claudio Stefanutto
  • Photography Jörg Brandt, Felix Jungo
  • Picture library Andrea Kunz, Fabian Müller
  • IT | Web Michael Leuzinger, Alex Baur, Danilo Rüttimann
  • Sound design Idee und Klang Audio Design
  • Media stations Alex Baur, Thomas Bucher, Pasquale Pollastro, Danilo Rüttimann, Immensive SA, Tweaklab: Flavio Gallachi, Lucas Löw
  • Video installations Prismago GmbH: Adrian Kelterborn
  • Audio guide Audiobande
  • Audio interviews Audiobande
  • Voices, audio guides and stations Claudia Nuara, Grazia Pergoletti, Nadja Rui, Andrea Samborski, Samuel Streiff
  • Sound engineering Tweaklab: Flavio Gallacchi, Kaspar Hochuli
  • Marketing and communication Anna-Britta Maag, Sebastiano Mereu, Carole Neuenschwander, Alexander Rechsteiner
  • Advertising graphic Roli Hofer
  • Translations Laurence Neuffer, Giovanna Planzi, Nigel Stevenson, Coline Thomas


    Special thanks
  • Fabian Herzog
  • Stephanie Müller
  • Raphael Rogenmoser
  • Christina Tschopp

    With friendly support
  • Stiftung Willy G. S. Hirzel 
  • Klostermann-Stiftung

Items generously loaned by

  • Aargauer Kunsthaus Aarau
  • Museum Sasso San Gottardo, Airolo, www.sasso-sangottardo.ch
  • Historisches Museum Basel
  • Jüdisches Museum der Schweiz, Basel
  • Kunsthalle Basel
  • Kunstmuseum Basel
  • Plakatsammlung SfG Basel
  • Öffentliche Bibliothek der Universität Basel
  • Bernisches Historisches Museum
  • Schweizerisches Bundesarchiv, Bern
  • Eidgenössisches Departement für Verteidigung, Bevölkerungsschutz und Sport, Bern
  • Zentralstelle für historisches Armeematerial ZSHAM, Bern
  • Musée gruérien, Bulle
  • Fata Redžić
  • Historisches Museum Thurgau, Frauenfeld
  • Militär und Festungsmuseum Full Reuenthal
  • Bibliothèque de Genève
  • Musée International de la Croix-Rouge et du Croissant-Rouge, Genève
  • UN-Archives, Geneva
  • Stadtarchiv Grenchen
  • Staatliche Kunsthalle Karlsruhe
  • Archives de la Ville de Lausanne
  • Museo Vincenzo Vela
  • Musée de l’Impression sur Étoffes, Mulhouse
  • Museo e Real Bosco di Capodimonte, Neapel
  • Nidwaldner Museum Stans
  • Galerie Jocelyn Wolff, Paris
  • Staatsarchiv Schwyz
  • Staatsarchiv Solothurn
  • Kompetenzzentrum ABC-Kamir
  • Staatsarchiv St. Gallen
  • Amt für Staatsarchiv Uri
  • Sammlung Förderverein / Fotostiftung Schweiz
  • Stiftung für Kunst, Kultur und Geschichte, Winterthur
  • Museum Burg Zug
  • Staatsarchiv Zug
  • Kunsthaus Zürich
  • Museum für Gestaltung, Zürich
  • Staatsarchiv Zürich
  • Zentralbibliothek Zürich

Works by

  • Daniel Berset
  • Miriam Cahn
  • Open Group
  • Olivia Heussler
  • Klaus Petrus
  • Christian Schwager
  • Christian Vogt