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Opening times

Museum, boutique & bistro

  • Tuesday till Wednesday 10:00 - 17:00

  • Thursday 10:00 - 19:00

  • Friday till Sunday 10:00 - 17:00

  • Monday closed

Library

  • Tuesday till Wednesday and Friday 10:00 - 18:00

  • Thursday 10:00 - 19:00

  • Saturday till Monday closed

Closed on public holidays

Special opening times

  • Sechseläuten 20.04.2026 10:00 - 17:00

  • Labour Day 01.05.2026 10:00 - 17:00

  • Ascension Day 14.05.2026 10:00 - 17:00

  • Whitsun 24.05.2026 10:00 - 17:00

  • Whit Monday 25.05.2026 10:00 - 17:00

  • Swiss National Holiday 01.08.2026 10:00 - 17:00

  • Long Night of the Museums 05.09.2026 10:00 - 17:00
    18:00 - 23:59

  • Long Night of the Museums 06.09.2026 0:00 - 2:00
    10:00 - 17:00

  • Knabenschiessen 14.09.2026 closed

  • Family Day 18.10.2026 10:00 - 17:00

  • 21.12.2026 10:00 - 17:00

  • 22.12.2026 10:00 - 17:00

  • 23.12.2026 10:00 - 17:00

  • Christmas Eve 24.12.2026 10:00 - 14:00

  • Christmas 25.12.2026 10:00 - 17:00

  • St. Stephen´s Day 26.12.2026 10:00 - 17:00

  • 27.12.2026 10:00 - 17:00

  • 28.12.2026 10:00 - 17:00

  • 29.12.2026 10:00 - 17:00

  • 30.12.2026 10:00 - 17:00

  • New Year´s Eve 31.12.2026 10:00 - 17:00

  • New Year´s Day 01.01.2027 10:00 - 17:00

  • Saint Berchtold 02.01.2027 10:00 - 17:00

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Wars and us

National Museum Zurich | 17.4.2026 - 17.1.2027
published on 15.4.2026

Wars often seem like distant events, but they also shape Switzerland’s past and present. Through impressive objects and stories, the exhibition “Wars and us” at the National Museum Zurich shows how conflicts have influenced Switzerland’s self-image, politics and daily life for centuries.

Wars shape the present. Every day, the news and social media confront us with pictures from Ukraine, the Middle East and other parts of the world. They clearly show that armed conflicts are not merely distant events, but that they influence political debates, social values and personal perceptions across the globe. Even in neutral Switzerland, wars are part of both history and the current reality. 

In five sections, the exhibition sheds light on the way in which wars have shaped politics, the economy and society in Switzerland since the late Middle Ages. It shows how conflicts spark identity-building processes, shift economic dependencies and exacerbate social tensions. Beyond their military aspect, it is their far-reaching impact on everyday life, culture and political decisions that is highlighted. 

The exhibition focuses on the question of how war has shaped Switzerland’s self-image. Over the centuries, myths around the Rütli oath, William Tell and Arnold von Winkelried have become symbolic narratives about freedom and unity. At the same time, economic entanglements emerged through mercenary services and later the arms industry. Conflicts have also led to social change: they have sparked economic crises and protest movements, influenced migration and shifted gender roles. Meanwhile, Switzerland has developed political scope for action, for example through neutrality, humanitarian activities and peace policy. 

Many historical objects highlight these connections. A tapestry depicting the Battle of Pavia (1525) – an extremely valuable loan from Naples, which is being exhibited for the first time in Switzerland – depicts the rout of Swiss troops and challenges the myth of their military invincibility. Three different representations of the Battle of Murten (1476) – a historical painting, a school poster and a contemporary photograph – show how memory and a nation’s self-image can change over time. 

Exhibits also highlight economic and social aspects: troop registers, coins and discharge certificates evoke the business of mercenary service, while photographs and manuals from the Werkzeugmaschinenfabrik Oerlikon and the Waffenfabrik Solothurn document the role of the Swiss arms industry in the 20th century. Other objects – such as a machine gun and a trade union flag dating from the national strike of 1918, uniforms from active duty and the Women’s Auxiliary Service, and maps and photographs of military facilities in the Alps – illustrate how closely war, society and politics are interlinked. 

The exhibition closes with a contemporary perspective: in a video installation entitled “Repeat after Me”, Ukrainian refugees emulate the sounds of gunshots, artillery and sirens. Visitors are invited to repeat these sounds – a haunting reminder that war is not only history, but continues to shape experiences and touch people. 

The interactive “Neutrality Compass” accompanies the exhibition and invites visitors to reflect on their own views about the significance of neutrality. In each section, they answer questions and at the end they receive an analysis of their answers and further information on Swiss neutrality. 

The supporting programme will add additional perspectives to the exhibition. An event is being organized in partnership with the Kunsthaus Zürich shedding light on the shift in Switzerland’s remembrance culture. And the topic of violence will be examined in detail in collaboration with the research project on the aestheticization of war violence at Bern University of the Arts. Contemporary witnesses also share their experiences of forced migration, peacekeeping and war photography.

Images

Criticizing the Mercenary Business

Allegorically, the painting denounces the greed common to the mercenary service and highlights the political dependencies of the Swiss Confederacy. Anonymous, around 1625. Swiss National Museum

Waiting and Helping

In 1914, thousands of Italian workers crossed Switzerland to return to their country. The Red Cross and the Swiss army looked after those waiting. August Gansser, Refugees from Alsace, Basel, 1914. Swiss National Museum

Soldier on Active Duty

The items used by gunner Willy Keller from Teufen included uniform elements, mess kit, regulations, and personal effects. Kit used by gunner Willy Keller, standard army issue 1914–1949

© Swiss National Museum

Gymnastics Festival

Until the 1960s, the gymnastics movement remained strongly influenced by military and patriotic ideals. Gymnastics was seen as a modern expression of Swiss martial virtues. National gymnastics festival, 1959

© Swiss National Museum / ASL

Civil Defence and Gas Warfare

The Swiss army did not issue gas masks to frontier garrisons until 1917. It began producing gas masks for civilian use in 1937. Gas mask for air-raid protection and civilian use, 1939–1945

© Swiss National Museum

Swiss dagger

As early as the 16th century, the story of William Tell also decorates the sheaths of Swiss daggers. Swiss dagger with sheath, knife and spike, around 1570

© Swiss National Museum

Antisemitic policies

In October 1938, Germany introduced the so-called “Jewish stamp” under diplomatic pressure from Switzerland. Passport issued to Agathe Süss, with “J” stamped on it, 1938

© Jüdisches Museum Schweiz

Camouflage draft

Camouflaging military installations was one of the duties of the artist Hans Erni in World War II. Hans Erni, draft MM5 camouflage, Rynächt incl. ramp, 1940

© Schweizerisches Bundesarchiv, E27#1000/721#19108*

Europe and neutrality

In 1815, the Congress of Vienna recognized Switzerland’s “perpetual neutrality”. Swiss Neutrality thus became an element of the European balance of power. Recognition and guarantee of Switzerland’s perpetual neutrality and the inviolability of its territory by the Allied Powers, 8 / 20 November 1815

© Schweizerisches Bundesarchiv, K0#1000-1402#72

The three Tells

The “three Tells” carried out an assassination attempt on a delegation of the Lucerne council during the Peasants' War of 1653. Two died fighting, the third was executed. Martin Disteli, Unternährer and Hinterueli, the Last Free Inhabitants of Entlebuch, 1840. Grafiksammlung der Zentralbibliothek Solothurn, a 295

Battle of Pavia

This tapestry shows the defeat of the Swiss Confederates at the Battle of Pavia. It contrasts with the myth that later emerged of the glorious mercenaries. Jan and Willem Dermoyen, after a drawing by Bernard van Orley, The Breakout of the Besieged Imperial Troops and the Rout of the Swiss Soldiers, 1528–1531, wool and silk with gold and silver threads, embroidery

© Museo e Real Bosco di Capodimonte, Napoli

Back home

Johann Baptist Kirner depicts a Swiss Guard, back home again, describing the July Revolution in Paris in 1830. Johann Baptist Kirner, 1831. Staatliche Kunsthalle Karlsruhe

Artist on duty

On active duty in Uri during World War II, the artist Hans Erni painted a fresco titled Muni mag 5 in a soldier’s mess. Hans Erni, Muni mag 5, around 1944, fresco

© Hans-Erni-Stiftung Luzern

Unyielding Helvetia

Helvetia is holding the federal treaty of 7 August 1815 in her hands while leaning on a cannon. The Bernese traditional dress and the alpine scenery embed the figure within the national visual language. Edouard Castres, Switzerland in Arms, 1895

© Bernisches Historisches Museum, Bern. Foto Stefan Rebsamen

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

«Wars and us» at the National Museum Zurich

A view of the exhibition

© Swiss National Museum

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